Oct
29th, 2009 - The night after we returned to Kathmandu from our
rafting trip a group of us met up for a couple of drinks. One of our
guides happened to be in attendance and he brought a friend and
fellow guide who was even more incomprehensible than the two that
guided us on the river. He would speak, we would nod. Not a clue.
Granted, the bar atmosphere did not exactly help but I get the
distinct feeling that had it just been the two of us in a soundproof
room I would have been equally bewildered…..again.
The
close of the evening is worth noting. After Armid (our guide) was
sufficiently snockered he took us just outside the over-touristed
Thamel area to a bar of his choice. We had understood that he was a
bit of a singer and for all the reasons mentioned previously
(i.e. language barrier) were under the mistaken impression that he
was possibly in some sort of band. Negative ghost rider. In reality
he brought us to the Nepali version of a karaoke bar.
Nepali
music is…well…unique. To me it all pretty much sounds the same,
almost as if someone wrote one really long song that is constantly
being played on the radio or television. The songs usually involve a
man/woman combo and a constant back and forth between the two. The
woman’s voice is normally very high pitched and after a while
starts to sound like someone is constantly kicking a lovesick cat in
the ass. The man’s voice is normally a bit effeminate in nature and
almost resembles someone who has just rebounded from a heroin induced
stupor. I won’t say I dislike it but it is not something I would
play around the house.
So
we found ourselves in a local hangout filled with mostly gentleman
save the wait staff and the performers. Yes, instead of a sound
system accompanied by a ‘follow along’ TV monitor apparatus there
is a group of men and woman operating synthesized instruments and
providing vocals. If you want to sing you simply fill out a slip of
paper and wait your turn. The interesting part is the fact everyone
who does this already knows the words (this feeds into my single
track theory).
This
is mostly a male endeavor as they were the only ones I saw sign up to
sing. Except for the waitresses and female employees in the stage
area I saw only two females who appeared to be patrons. So it was
basically a bunch of plastered Nepali males dancing around like Robin
Hood’s merry men to the voice of an equally smashed companion while
a group I presumed to be employed by the bar provided background
music and vocals.
The
sequence normally goes like this: woman with high pitched voice sings
a capella which leads to a sudden explosion of music cuing the male
to begin singing. It is a constant ebb and flow of energy that ends
only between songs. I’d be lying if I said I did not find the whole
thing rather enthralling. A few rum and cokes facilitates the
hypnotic nature of the experience. We sat, we watched, we drank, we
engaged in communal spasmodic outbursts. It was grand.
Did
I mention the dwarf (or perhaps little person would be more
appropriate)? A rather minute Nepali woman with a voice nearing
soprano level (coincidence?) provided a good portion of the singing.
And why not?
No comments:
Post a Comment
'Love me or hate me, but spare me your indifference.' -- Libbie Fudim